did I respond to this right
did I respond to this right
The TYRANT: the bullying despot, he wants power at any price. He ruthlessly conquers all he surveys, crushing his enemies beneath his feet. People are but pawns to him, and he holds all the power pieces. Hesitate before getting in this man’s way – he’ll think nothing…
Anonymous said:do you have a specific structure when drawing hands cause i s2g you draw the most realest hands out there (ps. your art is amazeballs)
I focus on the basic shapes first, and I find sharp lines best for this (don’t be afraid to exaggerate), like so:
Umineko EP 6: Dawn of the Friendzone
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this is going to kill my hand jfc why did i decide this was how I wanted to do the hair wh y
here is a MUCH HAIR tip that will probably make your life %10 easier!
pick any brush u want and freely sketch yo hair
ctrl + click the hair layer to select it
increment by 1 or 2 depending how thick you like your lines
make a new layer under your hair layer
fill with desired color
I’m already almost done lining this hair monster but thank you so much for the tip I’ll use it the next time I draw shiroba!
As requested, a tutorial on how I approach lips. This is just how I see them, but I hope it helps!
Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:
1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.
First, just get down the big shapes of your expression, just like you would for a pose.
So say I wanna do a low angle angry pose. I know the features are gonna be all mashed down at the bottom because of perspective.
Scribble it down
start to put on features
put on more stuff
fix stuff again
erasing and flipping and stuff a whole bunch until you are happy with it or stop caring
Whole head is a gesture!
2. Just like a facial expression, jot down where the important parts of an entire pose goes first. You can force the rest of the body to fit the pose.
So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face.
That’s the simplest explanation I got. Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!
I couldn’t even include all of the reference boards this blog contains on this photoset. That’s right! There’s EVEN MORE! There are pages and pages of them! It is an inspiration treasure trove!
Bookmark this link!
Fill your life with inspiration!
Even better? Pretty much everything is sourced.
I love this site so much, I open it most times that I draw.
- How bodies decompose
- Wilderness survival skills
- Mob mentality
- Other cultures
- What it takes for a human to die in a given situation
- Common tropes in your genre
- Average weather for your setting